The Creative Process: Portuguese Gardens

The surrounding gardens of a hotel provided the inspiration for a playful series of images using the seemingly random layout of trees and shrubs. The lack of formality lead to some unusual juxtapositions of shape and colour. Initially a series of collages, I really enjoyed introducing a looser style when applying the paint for the foliage and flowers which is contrasted with the almost flat background.

The more time I spent amongst the gardens the more I wanted to put down the shapes and colours I was seeing. The bright Mediterranean sunlight gave the foliage sharp edges and beautifully contrasting colours against a brilliant blue sky. Despite the deep shadows I began to see the final images as flat - almost like a stage set, where the scenery has been wheeled into place, which of course meant that anything could go anywhere - the freedom to compose the final paintings with no regard to formal notions of making it real. When I returned to the studio at home I made some quick drawings in a notebook - exploring different ways of making the paintings. The collages that I eventually made from the sketches hold all the information I needed to make the final paintings which are all about colour, using basic shapes nothing too sophisticated - overall plant shapes reduced to a graphic shape.

The original series of Portuguese Gardens is available to buy here (click through) and prints are available to buy here (click through).

The Atrium Gallery Exhibition - Leeds

My art show at The Atrium Gallery has been booked for two years. It's difficult to obtain premium space to exhibit art in the Leeds area so I'm really pleased and grateful that the selection panel at St. James's agreed to show this series.

Due to the nature of the venue there are restrictions on the type of images that can be displayed, so no sex, glamour, religion, violence, death or politics. Fortunately at the time of submission, I'd been working on some very colourful, optimistic flower images.

Upon securing the exhibition site it was decided that I should work towards filling the space with images based around the initial idea. So making larger versions of the initial six that were chosen to publish as greeting cards seemed a logical step.

The larger paintings took six months to complete, each one in succession. Some are truer to the original sketches than others but the fact that I was using a different medium - acrylic - meant that the colours probably wouldn't be as intense as the originals - oil pastel and crayon.

The smaller paintings followed and I was keen to capture the looseness of the scribbles that I'd drawn which reference the original series. I'll have the notebook with me at the Private View on 7th August so that I can demonstrate what I'm talking about. All in all a busy 18 months so I'm hoping the show will look as good as I think it will and be good publicity for Yorkshire Cancer Centre. Let's hope we can raise funds for a much needed cause (25% commission from my sales will go to Yorkshire Cancer Centre).