The Creative Process: Portuguese Gardens

The surrounding gardens of a hotel provided the inspiration for a playful series of images using the seemingly random layout of trees and shrubs. The lack of formality lead to some unusual juxtapositions of shape and colour. Initially a series of collages, I really enjoyed introducing a looser style when applying the paint for the foliage and flowers which is contrasted with the almost flat background.

The more time I spent amongst the gardens the more I wanted to put down the shapes and colours I was seeing. The bright Mediterranean sunlight gave the foliage sharp edges and beautifully contrasting colours against a brilliant blue sky. Despite the deep shadows I began to see the final images as flat - almost like a stage set, where the scenery has been wheeled into place, which of course meant that anything could go anywhere - the freedom to compose the final paintings with no regard to formal notions of making it real. When I returned to the studio at home I made some quick drawings in a notebook - exploring different ways of making the paintings. The collages that I eventually made from the sketches hold all the information I needed to make the final paintings which are all about colour, using basic shapes nothing too sophisticated - overall plant shapes reduced to a graphic shape.

The original series of Portuguese Gardens is available to buy here (click through) and prints are available to buy here (click through).

NEW SERIES: PORTUGUESE GARDENS

Portuguese Gardens

The surroundings gardens of a hotel provided the inspiration for a playful series of images using the seemingly random layout of trees and shrubs. The lack of formality lead to some unusual juxtapositions of shape and colour. Initially a series of collages, I really enjoyed introducing a looser style when applying the paint for the foliage and flowers which is contrasted with the almost flat background.

All original pieces from this series, using acrylic on board, are available to buy from this website through this link here. 

If you would prefer to see the originals, please contact me at Dave@davidlyonart.co.uk to arrange a viewing.

An almost full sketchbook

My painting style has evolved as I found a freedom in the interpretation of the subject that I hadn't encountered before and I think this stems from investing all my energy into the sketchbook before I even thought of making stand alone pieces. Always adhere to established working methods as it gives the best results.

Roundhay Open Artist Studios Art Event 2015 - LEEDS

The Roundhay Open Studios Event 2015 is an annual event to show the diverse talents of local professional artists. On Sunday 26th April 2015, visual artists in the LS8 area of Leeds, West Yorkshire, opened up their art studios for the day.

"I opened up our home to showcase my original art, acrylic on boards, sketches and works in progress - some pieces only friends and family had seen before. I talked about my work and the creative processes and over 50 pieces at home were on display as well as a selection of limited edition giclée prints and greeting cards. It was a busy day, helped by the sunshine - over 100 visitors on the day with a few more the following week."

Please contact me on 07968 131866 if you are interested in viewing any of my pieces at home.

All of my work can be found on my website here.

Facebook: Roundhay Open Artist Studio

Details: here

Where to next? Inside my sketchbook

I’ve had a busy time the last few weeks but it's time to get back into the studio.

My garden is often a source of inspiration. Having noticed a decline in the number of small birds visiting recently (which has been widely reported) I set about making some scribbly sketches with a view to reinterpreting them as larger pieces. I found they naturally fell into seasons depending on the coloured background - the blues and purples referencing the colder months, yellows and greens the warmer. I think the deep reds and oranges are Autumn. Simple colour psychology.

I wanted the simple bird shapes to denote the absence of the bird rather than a presence - a ghostly silhouette. There is also a fox that makes an appearance but he too has been absent.


Head Series - Acrylic on Board and Acrylic on Canvas 2012 -2013

I’m aware that, at the moment, my original art appears to be colourful and bright. Here is the “Heads” series to contradict what you’ve seen so far. These are painted on acrylic on board and canvas; a couple of these, which I display at home, created a lot of interest at the recent Roundhay Open Artists' Studio event in April.

"Late 2012/early 2013 I produced the “Heads” series, whereby I painted one head per day without reference to sketches or subject matter. I wanted to paint the same thing everyday but the results are very different over time. A definite identity became apparent as each head emerged. As to who they are, I have no clue".

Heads Series, Acrylic on Board and Acrylic on Canvas 2012 - 2013