A series of small paintings about observation. All the information required to make the painting lies before me. My job is to look at how light renders the object and recorded it using brush and paint. I sketch a small outline in white chalk for positioning. I finished this series last year. The originals are now available to buy.
The surroundings gardens of a hotel provided the inspiration for a playful series of images using the seemingly random layout of trees and shrubs. The lack of formality lead to some unusual juxtapositions of shape and colour. Initially a series of collages, I really enjoyed introducing a looser style when applying the paint for the foliage and flowers which is contrasted with the almost flat background.
All original pieces from this series, using acrylic on board, are available to buy from this website through this link here.
If you would prefer to see the originals, please contact me at Dave@davidlyonart.co.uk to arrange a viewing.
It’s been a busy time and we’ve some exciting news. As my art evolves, I’m aware that these posts have a commercial note, which is too far removed from my creative processes and the core of my work.
We’ve decided to separate our works - David Lyon Art will be solely my painting and drawing, the creative process, techniques, sketches and gallery exhibitions and news.
The English Art Company is a new company, set up by Catriona, which focuses on design-led prints, greeting cards, stationery and homewares, the more “commercial” end of my art i.e. Wildflowers, Just One Blackbird and Inkflowers. The English Art Co. will license my images (not just mine but other artists too) to produce greeting cards, stationery, prints, note journals, homewares….it’s early days but when things are up and running, I’ll let you know. Here’s a taster.
This is interesting and completely dumbfounded Catriona. She couldn’t believe it when we returned from this holiday in December 2012 and saw the series of paintings and notes that I'd completed in the studio over a month or so before we'd left.
"I made The Moon, The Lake, The Tree & The Boat a week or two before I observed the very same combination of shape and colour whilst on holiday at a fishing loch in Northumberland which was closed down for the winter. One particular night it had been snowing and the loch had begun to freeze. We were walking Oscar around the top of the loch. I stopped and turned to look at the full moon reflected in the water - and there was the image I'd made before I'd left. The Moon, the loch, the trees and an upturned rowing boat. Okay, the tree wasn't red but rather oddly the predominant colour of the estate woodwork (lodge doors, cottage doors, wood trims) was bright crimson".
Here are her photos and this is the final piece, the original, which we still have at home.
It’s been an interesting week. One of the “Just One Blackbird...” images was picked up at a trade show in New York, Surtex, a show for original art and design. I’m not sure how, but I can only assume via PG Live, where I exhibited last month. A journalist from the New York Examiner has since interviewed me. The American market could be a new opportunity and one I want to explore. Many thanks to Meagan Meehan the journalist who published the article.
“Just One Blackbird...”
"A series of 12 acrylic in hardboard paintings created from sketchbook doodles as an exercise in wish fulfilment.
“Why don’t birds visit the garden as frequently? The colours used are an intensified palette to emphasise the imaginary nature of the series. The gardens are impressionistic with key elements reduced to graphic symbols (which follow on from the “Wildflowers” series).
Since the series was completed the birds have returned in larger numbers and in greater variety."
The recent drawings of the sparrow and the white blackbird are the result of an ongoing fascination with birds, and their symbolism within our history and culture. The bird in flight is a symbol of freedom, particularly intellectual and creative freedom, but also has other meanings. This particular sparrow was drawn just after events in Paris. The symbolism is multi-layered, the common sparrow rising above. White blackbirds also exist, albinoism occurring in birds as in humans. The sighting of an animal so rare is taken as a portent of dramatic change and has magical connotations.
The original sketches are available to buy as the original charcoal on paper (here), or as limited edition prints (here). We use Headrow Gallery in Leeds for all our framing and can arrange for you, if required.
York Teaching Hospital NHS Foundation Trust, York
'Wildflowers' by David Lyon
The exhibition will hang within the main light filled walkway area of York Hospital. The organic shapes and forms of the Wildflower series, drawn and painted to create intensely colourful images that have areas of detail contrasted with open areas of pure colour and texture, aim to stimulate patients, staff and visitors alike in a life enhancing celebration of the natural world.
Sizes of the work will vary from larger acrylic on board pieces to smaller giclée prints.
York Teaching Hospital NHS Foundation Trust, Wigginton Road, York YO31 8HE.
Using photographs and memory I've been building up a collection of images in a sketchbook using various techniques - collage, acrylic transfer techniques - around my recent trip to Applecross. The photos evoke a rich sense of place and history. It's an unspoilt coastline, no industry to speak of apart from tourism on a small scale - every view is vast and open, huge skies and rugged mountains, endless coast with views as far as Harris and Lewis. I also had inside knowledge thanks to the expertise of our 'guide' Iain MacRae [my brother-in-law who was born there] whose colourful descriptions of local characters and the life they had, began to play upon my imagination. I plan to evolve the sketches into larger scale works using a variety of media but mostly painting I think and then of course find a venue to exhibit.
Ink Flowers, Series 1 – ink drawings using Winsor & Newton inks on Hahnemühle Traditional Fine Art Paper.
“The ink flower series uses brightly coloured drawing ink on the rough side of Hahnemühle Traditional Fine Art Paper.
There is a degree of control in using the brush to apply the ink. The textured paper gives rise to spontaneous edges and the element of chance comes into play.
I'm reminded of the art of "Sumi-e" - oriental brush painting that uses black ink to create beautifully simple renditions of natural forms”.
I’m aware that, at the moment, my original art appears to be colourful and bright. Here is the “Heads” series to contradict what you’ve seen so far. These are painted on acrylic on board and canvas; a couple of these, which I display at home, created a lot of interest at the recent Roundhay Open Artists' Studio event in April.
"Late 2012/early 2013 I produced the “Heads” series, whereby I painted one head per day without reference to sketches or subject matter. I wanted to paint the same thing everyday but the results are very different over time. A definite identity became apparent as each head emerged. As to who they are, I have no clue".
Heads Series, Acrylic on Board and Acrylic on Canvas 2012 - 2013